Book
General Idea: Life & Work. Toronto: Art Canada Institute/Institut de l’art du Canada, 2016.
Special Issues of Scholarly Journals (Guest Editor)
“Radical Pedagogy,” a Special Issue of Journal of Curatorial Studies, 12, no. 1 (forthcoming Spring 2023). Co-editor with Christiana Abraham and Kirsty Robertson.
“Curating Cultural Diplomacy,” a Special Issue of Journal of Curatorial Studies, 5, no. 3 (October 2016). Co-editor with Lynda Jessup.
“Craft, Creative Work and Networks of Indigenous Knowledge,” a Special Issue of Cahiers métiers d’art ::: Craft Journal, 5, no. 1 (2011). Co-editor with Alena Buis.
“Unsettling Canadian Heritage: Decolonial Aesthetics in Canadian Video and Performance Art,” Journal of Canadian Studies/Revue d’études canadiennes, 52, no.1 (Winter 2018): 306-341. Co-authored with Carla Taunton. Awarded Prize for the Best Article Published in the Journal of Canadian Studies, 2020.
“Thread, Fur and Hair: Preserving Inuit Histories through Textiles,” Cahiers métiers d’art ::: Craft Journal, 4, no. 2 (2011): 124-132. Co-authored with Alena Buis.
“Review of Imagining Resistance: Visual Culture and Activism in Canada edited by J. Keri Cronin and Kirsty Robertson,” Public, 43 (2011): 158-160.
Exhibition Reviews
“Sakàhan: International Indigenous Art,” Journal of Modern Craft, 7, no. 2 (2014): 219-222.
Exhibition Catalogues
“If the solution is not beautiful, I know it is wrong.” In From Remote Stars: Buckminster Fuller, London, and Speculative Futures, edited by Cassandra Getty. London, ON: Museum London, forthcoming 2022. Co-authored with Kirsty Robertson.
“The Future Was Now: Buckminster Fuller and Creative Practice.” In From Remote Stars: Buckminster Fuller, London, and Speculative Futures, edited by Cassandra Getty. London, ON: Museum London, forthcoming 2022. Co-authored with Kirsty Robertson.
“Clive Robertson.” In Trans-Pacific Transmissions: Video Art Across the Pacific, edited by Haema Sivanesan, 78-79. Victoria, BC: Art Gallery of Greater Victoria, 2016.
“Bringing Queer Theory into Queer Practice.” In I’m Not Myself At All: Deirdre Logue and Allyson Mitchell, edited by Sunny Kerr, 22-31. Kingston, ON: Agnes Etherington Art Centre, 2015.
“Captured and Controlled: Critiquing Surveillance Through the Camera.” In Sorting Daemons: Art, Surveillance Regimes and Social Control, edited by Jan Allen, 49-61. Kingston, ON: Agnes Etherington Art Centre, 2010.
“Made in Taiwan.” In Made in Taiwan: Auriane Sokoloski, edited by Jocelyn Purdie, 6-9. Kingston, ON: Union Gallery, 2007.
Other Published Writings
“Condé and Beveridge’s Art Activism.” Prefix Photo, No. 33 (May 2016): 45-55.
“Shining Light on Adornment.” In All That Sparkles, 2-3. Toronto: ON: The Red Head Gallery, 2013.
“Carole Condé and Karl Beveridge: Of Labour and Love,” Canadian Art, online edition, 9 February 2012.
With Alena Buis, “Theresie Tungilik: Arts Activist,” Inuit Art Quarterly, Vol. 26, No. 2 (Summer 2011): 28-32.
Editorial Experience
Co-editor, Shift: Graduate Journal of Visual and Material Culture, Issues 1-3, 2008-2010
Founding Editor, Shift: Graduate Journal of Visual and Material Culture, 2008. With Susan Cahill.